Hello, I’m Phil.
I design effective digital products that serve people.

I’m a freelance digital product designer with 18 years of experience. I work with teams to figure out what they need to do and help bring this to life.

I take a user-centred approach, focused on achieving outcomes through collaboration, research, prototypes and continuous iteration.

Three mobile screens showing Tito’s site: 'Smooth, I mean really smooth' hero, Spirit in a Bottle promo, and Giving Back stats with photo of two women.
Graphic titled 'What’s in the bottle?' with a Tito’s bottle in the center and six product facts around it.
Two overlapping Tito’s site screenshots showing Smooth hero, cocktail recipes, Walktail dog-walk promo, and branded pet merchandise.
Two overlapping Tito’s site pages: July 4th hero with cocktails and recipes on the left, recipe browsing grid on the right.
Video still titled 'A Walk Through the Fourteen Acres Farm' showing crop rows, greenhouses, and farmland under a cloudy sky.
Four mobile cocktail recipe screens: Soda Grapefruit, Spicy Titorita, Classic Gimlet, and Soda, each with drink imagery and descriptions.
Miro board titled “Tito’s 2024” showing a grid of Tito’s-themed images, including bottles, cocktails, graphics, and lifestyle shots, with a video call panel on the right displaying four participants.
Tito’s 'Love, Tito’s' page with 'Spread the Love' headline, mural painting, and philanthropy stats.
Tito’s 'Buy Tito’s' buttons shown in primary, secondary, and ghost styles with default, hover, and active states.

Tito’s Handmade Vodka Website design

A refreshing website for America’s top-selling vodka brand. As the design lead, I worked with Tito’s stakeholders and the Good Work development team to deliver a user-friendly design system that matches the personality of the Texan beverage.

GOV.UK Budgeting Loans webpage. The page includes a main heading “Budgeting Loans” with numbered links to sections such as “How they work,” “Check if you’re eligible,” and “What you could get.” The visible section explains what a Budgeting Loan can help pay for, including household items, clothes, rent in advance, moving costs, home security, and UK travel.
Whiteboard divided into columns titled “Assumptions” and “Hypotheses,” with sub-columns for “Unverified,” “Verifying,” “Verified,” “Hypo Backlog,” “Prototyping,” and “Testing.” Orange sticky notes fill most sections with handwritten research notes and findings.
Four photos showing GOV.UK service design workshops and prototypes. Top left: a presenter speaking to seated participants. Top right: a table covered with paper prototypes and sticky notes. Bottom left: a whiteboard with sticky notes labelled “Work coaches” and related process steps. Bottom right: a brown wall covered in paper prototypes and handwritten notes.
Flowchart for the GOV.UK “Apply for new style ESA” process. Boxes contain questions such as “What do you do at [organisation name]?”, “Do you volunteer for the same number of hours each week at [organisation name]?”, and “Do you do any other voluntary work?”. Other branches ask “Are you off sick from your job at [employer name]?”, “What date did you last work at [employer name]?”, and “What is your employment status at [employer name]?”. Coloured shapes mark points like “Hours you volunteer each week” and “Previously off sick?
Four smartphone screens showing the GOV.UK “Apply for a Budgeting Loan” form. Screens display questions: “Do you get any of these benefits?”, “How long have you been getting Employment and Support Allowance?”, and “What type of Employment and Support Allowance do you get?”. Answer options are shown with radio buttons, one selected per screen.

UK Government Large-scale service design

Designing public services at scale to meet people’s needs. Across two contracts with the Department for Work and Pensions, I worked on high-impact services and internal systems, applying user-centred design to support millions, including some of society’s most vulnerable.

Case study

Alloy content library and article view showing “The digital transformation of in-branch account opening.”
Mobile UI screens showing Alloy articles on fraud, including illustrated covers and category filters.
Alloy’s 2024 State of Fraud Benchmark Report webpage with download option for US and UK reports.
Mobile bar chart showing changes in attempted fraud frequency, with US and UK comparison.
Tablet view with fraud statistic: nearly 60% of banks lost over $500K in 2023, alongside US loss distribution bar chart.
Spreadsheet of accessibility recommendations for Alloy’s primary navigation, with descriptions and purposes.

Alloy Website audit & design

Identifying opportunities to improve the online presence of a fast-growing fintech. Initially brought in to audit usability, presentation, and accessibility, I’ve since supported ongoing enhancements to the website, including launching a new content library and responsive data visualisation.

Homepage hero with headline “Meet your dream development team” above an illustrated forest scene with people working and relaxing around a campfire.
I Love Typography case study. Split view showing I Love Typography desktop and mobile sites with font specimens alongside a tablet collage of bold typography samples.
Good Work logo. Bold white “Good Work” text with a checkmark on a solid orange background.
Brand style guide. Layout with Graphik font samples, primary and secondary color palettes, brand usage notes, and supporting imagery.
Website portfolio grid. Colourful tiled layout with desktop and mobile mockups, including Alloy in pink and yellow and Juniper Square in green and white.
Development, Maintenance, Hosting flow. Illustrated service journey showing a red dotted path from a “Start” tent through cacti, hurdles, and a slide to a “Launch” sign, with text outlining Development, Maintenance, and Hosting features.
Good Work blog page. Grid of illustrated blog cards with headlines and excerpts, including a cyclist breaking through a barrier, a network diagram, and chat bubble faces.

Good Work Brand strategy & design

Building a confident brand and website to position the development studio so they stand out. The bold branding is complimented with playful illustrations by Christoph Rauscher. Since launch, Good Work has gone on to win major projects with clients such as Preacher and PBS.

Smartphone screen with a red background displaying the “Save a life, Give blood” logo and message in white.
Four mobile screens from the NHS Give Blood app showing login, donor details, venue search, and search results.
Close-up of a hand pointing at a “Number of appointments” card among other coloured cards laid out on a table.
Two mobile screens from the Give Blood app showing donor achievement badges and a “Congratulations” screen for reaching gold donor status.
NHS Blood and Transplant lorry with “Please give blood” branding, a worker loading equipment at the back, and a support van in the background.
Man wearing a mask working on a laptop in an NHS blood donation waiting area with blue chairs and leaflets on a table.

NHS Give Blood Mobile app design

Creating a simpler way for people to book and manage blood donations. Working closely with the in-house team at NHSBT, I helped launch a life-saving app with accessibility at its core. This resulted in an optimised experience, higher app store rating and an increase in appointment bookings.

Overlapping screenshots of British Gas business energy web pages showing a promotional landing page and an account billing dashboard.
Simplified flowchart with black, red, grey, and green nodes representing steps and decision points in a process, with icons for user and target at each end.
Woman standing in front of a wall covered with website mockups and numerous yellow and pink sticky notes during a design workshop.
British Gas online business account registration page displaying an error message “Our online service is temporarily unavailable” with a person visible in a small video call window at the bottom right.

British Gas Account journey optimisation

Making account management easier for business customers while reducing routine support demand. As a UX consultant, I mapped journeys, ran research and worked with stakeholders to increase registrations, simplify switching and cut pressure on call centres.

Case study

Endsleigh student car insurance webpage alongside a mobile quote screen showing £84.76 with options for additional cover.
Close-up of a hand interacting with the Endsleigh insurance mobile site on a smartphone, with other devices on a wooden table.
Four mobile screens showing the Endsleigh car insurance quote journey from requirements list to vehicle details entry, quote display, and car information.
Business product categorisation diagram showing Endsleigh’s insurance and financial advice offerings organised by general and audience-specific categories.

Endsleigh Platform-wide redesign

Leading the design on a strategic and end-to-end transformation of Endsleigh’s online presence, including digital transactions, helping Endsleigh maintain their position as one of the UK’s leading insurers.

Case study

Erskine Design “Socials” webpage with illustrated birds around bold “SOCIALS” text and a sign-up form.
Gridpak interface showing a 6-column responsive grid setup with adjustable column padding and gutter width controls.
Group of people in matching red and black bowling shirts with a cartoon pin and ball graphic on the back, talking at a bowling alley.
Erskine Design “About” webpage with a grid of office, event, and object photos above a company description.
Collage of team portraits with playful white doodles added, including props, music notes, and thought bubbles.

Erskine Design Leadership & design

Six years with the talented team at Erskine Design. Working with everyone from art publications, to polar explorers, to insurance companies.

Case study